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Kim Geldenhuys

(Director)
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McDonalds

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Kim Geldenhuys

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Glo

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Kim Geldenhuys

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Genesis

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Kim Geldenhuys

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ODC

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Kim Geldenhuys

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Philips

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Kim Geldenhuys

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Telekom

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Kim Geldenhuys

“I am inspired by performance and narratives that speak to the psychology of human behaviour. I want to make films that move people.” Kim Geldenhuys (...)

Kim is truly captivated by human-centric stories, by the challenge of intertwining a narrative worth sharing with a creative vision that transforms each endeavor into a distinctive and compelling film.
Driven by an insatiable curiosity and a thirst for creativity, Kim approaches each project with a commitment to making it unlike any before. The breadth of his portfolio speaks volumes; he eschews the notion of simply replicating past successes with minor variations.
The sophistication and authenticity evident in Kim's diverse body of work underscore his meticulous attention to detail and innovative concepts. He gravitates towards narratives that resonate deeply and imagery that evokes emotion, striking a delicate balance between storytelling and visual impact.
Kim's unwavering dedication to his craft has earned him recognition on the global stage, with accolades from prestigious award shows including Cannes, The Clios, LIA, One Show, and The Loeries. Notably, Shots magazine has honored him among the "Top 100 Creative Minds" worldwide, and he is a fixture on Ad Age's esteemed list of the top 100 directors. Additionally, his consistent inclusion in the Gun Report's top 20 most awarded directors underscores his enduring influence and acclaim.
Despite his remarkable achievements, Kim remains humble and approachable, embodying the essence of a true gentleman. Yet, beneath his modest demeanor lies a pioneering spirit, constantly seeking new avenues of exploration and innovation while steadfastly refusing to tread familiar ground.
In his own words: “a love for human interaction is at the heart of what we do...we’re drawn to the complexities of working out intimate personal narratives, exploring the domino effects of our actions, and constantly rethinking the visual language with which to craft our stories.”